In memoriam: Prince (June 7, 1958 – April 21, 2016)

There are already hundreds of tributes to Prince out there, with many more to come as people hear of his death, yesterday. I heard about it last night at dinner with friends, and was, for a long moment, rather inconsolable.

He was a musician that provided a fair chunk of the soundtrack to my life, and that of many others. I was a fan pretty much from the beginning – other Capetonians will remember those very expensive import LP’s we bought from that place in the Golden Acre whose name I can’t remember, and it was there that I found a copy of “Dirty Mind” in 1980, before Tipper Gore had an “explicit lyrics” warning pasted on to it.

I quickly filled the back-catalogue of his first two albums, and then bought everything else for a decade or two, until his output became too voluminous (and, to be honest, inconsistent) to keep up with.

In 1990, I was coaching tennis to bratty American kids (including one of GW Bush’s grandsons!) in upstate New York, and remember one night when some of the camp counselors and coaches were persuaded that it was a good idea to go and see Bryan Adams perform in Canada.

I stayed behind, because Bryan Adams, and because the rest of us had planned a party. We went to Forest Lake, smoked a joint, drank too much beer, and lay on the shore while a friend played Purple Rain at an absurd volume through his car speakers.

I did so last night also, but without the joint or the beer, although the whisky was good and plentiful. We played “Darling Nikki” too, at my wife’s suggestion, even though that’s the name of an adolescent crush that she doesn’t like being reminded of.

That’s a signal of how much his music means to many folk. And rightly so – younger readers and those who don’t know his music might not appreciate just how damn good he was.

All the early albums had liner notes that read “Produced, arranged, composed and performed by Prince”. He did everything, in other words. The legend had it that he could play 20 instruments by the time he was in his late teens.

He turned other people into stars too, or gave them some of their most memorable songs – Sinead O’Connor, with Prince’s song “Nothing Compares to U”, written for a band called The Family. The Bangles, with “Manic Monday”, Chaka Khan, with “I Feel For You”. “The Glamorous Life” for Sheila E. And there are plenty more.

Few other people would be able to maintain the falsetto he does in this performance of Purple Rain while simultaneously playing a ridiculously good guitar solo. Maybe it’s just me, or maybe it’s just today – but it feels like nobody else could.

We’ll miss you.

https://www.youtube.com/watch?v=F8BMm6Jn6oU

By Jacques Rousseau

Jacques Rousseau teaches critical thinking and ethics at the University of Cape Town, South Africa, and is the founder and director of the Free Society Institute, a non-profit organisation promoting secular humanism and scientific reasoning.